There’s no shock in learning that another Madagascar is on the way — how about a spin-off? No, that’s not really mind-blowing, either, but it was announced at DreamWorks Animation’s Comic-Con panel this lovely Thursday, whereat Madagascar 3 co-director Tom McGrath said that The Penguins of Madagascar will arrive in 2015. This was then followed by an all-the-more-obvious announcement of Kung Fu Panda 3; nothing has been said in regards to either project, to the chagrin of the curious.
My investment in either is in equal supply, so let’s move on to the much more interesting Me and My Shadow. We had been told, back in January, that Bill Hader, Kate Hudson, and Josh Gad would headline the project, a fantasy picture which would serve as a mixture of hand-drawn animation and, in the “human” world, regular CGI. I love that kind of approach — if only because this old-fashioned (and superior) style of animation gets a little more light once again — so I’m all the more thankful to hear that such a process is still in the cards. Alessandro Carloni is directing Shadow, and we can expect it to hit in the spring of 2014.
The exhibit also brought some footage from next year’s The Croods, which already earned it a few comparisons to Brave; we can only hope the storytelling is a step-up. The film follows a family of cavemen, exiled from their secluded habitat, who encounter Guy (Ryan Reynolds), a standout figure in this pre-historic period “because he has ideas.” Visually-speaking, Croods‘ enviornment starts out as a “dusty, monochromatic world [that] explodes into a wildly lush and dangerous landscape filled with giant animals and vibrantly colorful plant life.”
Nicolas Cage, Emma Stone, Catherine Keener, Clark Duke, and Cloris Leachman all co-star in The Croods, which Chris Sanders (How to Train Your Dragon) and Kirk DeMicco (Space Chimps) are directing for a March 22nd, 2013 release.
Do DreamWorks Animation’s plans for the next few years have you optimistic?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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