At the start of 2012, Universal, Blumhouse, and Platinum Dunes put Ethan Hawke, director James DeMonaco, and various co-stars to work on a project only known as Vigilandia. The project’s small-budget status gave creatives free reign to carry things out in peace and quiet, even allowing some (like yours truly) to just sort of let the thing happen when it’s supposed to happen. When no one else is really on the lookout, either, everybody benefits in some way.
But, now, it’s starting to come out of the old shell. TheWrap inform us this film, now called The Purge, is getting a prime summer opening of May 31st, 2013, and has just been supplied with a plot rundown. Although it is, as first reported, set in the future, DeMonaco‘s effort sounds like the sort of micro-budget material Blumhouse Productions are known for — i.e., small, violent, and dirty. A “speculative thriller,” it centers on a husband and wife (Hawke and Lena Headey) forced to defend their home from a violent criminal carrying out “a sequence of events” that, if successful, will render them “the monsters from whom they hide.” (This guy was let loose because of some bizarre government sanctions that make murder legal for 12 hours once a year. I don’t know.)
Max Burkholder, Adelaide Kane, and Tony Oller are three of The Purge‘s younger stars; I expect they’ll appear as the couple’s children, but that’s basically a stab in the dark. (Worth a shot!) Speculation about other roles notwithstanding, the information dispensed today is enough, personally, to create an inkling of curiosity about what follows. The fact that I don’t really need much more, save for an explanation of the silly plot mechanic, should mean something or another.
Knowing much more about The Purge, do you see a reason to keep eyes peeled?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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