The recent, director-based rumors emerging for WB’s Tarzan was, while not without its interest, coupled with a whole other issue: What would happen to Craig Brewer‘s prospective adaptation, itself a planned trilogy?
This news answers that question, I’d think, as Deadline reports that “things are getting serious” for the previously-mentioned David Yates (Harry Potter), who’s currently in talks with Warner Bros. about the project. (Nothing’s been arranged at the moment, but… you know how this works.) The big questions remain unanswered, still, some of them being when he would get around to it — there’s Your Voice in My Head and Cicero, though probably not Doctor Who — or, even, what the thing’s about.
The script, by Adam Cozad, is being kept hidden for now — so that simply has to wait — but, based on four major films made for the studio, I’d say Yates is probably a great choice. I’ll still need more, sure, but we’re off to a decent start.
The same story informs us that, in coming off Jack Reacher, Christopher McQuarrie will be sticking around with Paramount for their other Tom Clancy adaptation, Without Remorse. This is all very new information, but he’ll be rewriting Shawn Ryan‘s script, and, if the studio has their way, will be getting behind the camera.
The book follows John Kelly, or “Mr. Clark,” a mercenary who finds himself “bent on revenge after a drug dealer kills his girl.” (There’s a little crossover with Tarzan, as Cozad was one of the many names on the screenplay for Jack Ryan, and this character appeared in the Jack Ryan film Clear and Present Danger. Avengers-style crossover?) That angle seems to match what McQuarrie did on Jack Reacher — which Paramount is reportedly happy with — so if that ends up being a hit, expect him to go forward with the film in full-force.
Would Yates bring something good to Tarzan? How does McQuarrie fit with Clancy’s style?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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