With shockingly strong trailers and star power to boot, Snow White and the Huntsman has enough energy to be one of this summer’s biggest box office hits — and, having known since July that Universal wants the film to start another franchise cash cow, this latest move couldn’t be less of a surprise. As Deadline has learned, the studio is currently trying to wrangle David Koepp for their sequel to Huntsman, which is also being fast-tracked for Rupert Sanders to make a return.
It’s early, and although specifics on the story are outside our own realm of understanding, we may have already heard more about the film’s content than Universal would prefer. After all, it was just earlier this month when their President, Ron Meyer, announced intentions to craft a follow-up that would put focus on Chris Hemsworth‘s titular character; Kristen Stewart‘s Snow White was, interestingly enough, absent from these discussions. Will Koepp be working without a couple of characters, then? Well, in all honesty, I can’t see them letting one of the world’s biggest young actors slip from their grasp. Maybe she’ll just take a backseat; at least a fairly smart guy like Koepp is doing most of the heavy-lifting in that department.
Is this a good choice for the sequel? Has the first film been on your radar at all?
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming […]
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
To begin, a cliché (albeit one that’s true): a great first scene will tell you how to watch the rest of the movie. Not necessarily who is important to the story, or what the major themes will be, but instead rhythms, what to look for in a shot, and ways to interpret meaning (which is […]
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