There are certain directors that, no matter what, I’m deeply invested in whatever their next project may be. Darren Aronofsky happens to be one of them. After tackling wrestlers and ballerinas, two subjects I had zero interest in, he was able to craft some of my favorite films of their respective years. Coming off his huge hit Black Swan, it’s becoming more clear that his next project will be a big-budget re-telling of the biblical story Noah.
We reported last week that he was interested in Christian Bale to lead the film, which has been described as “a big fantasy epic” and “an effects-driven” blockbuster. Aronofsky recently spoke with IFC about his $130 million film and reiterated some of comments about his large scope, while also adding some thought about the religious aspects.
He told the outlet at the 2011 Provincetown International Film Festival that he didn’t think Noah was “a very religious story,” but “it’s a great fable that’s part of so many different religions and spiritual practices. I just think it’s a great story that’s never been on film.” We already know the film won’t be similar to his small-budget endeavors but he confirmed, saying “I want to make a big event film, and I think it can be that.” Like many of his rumored projects he stated “all these films are hard to make so you never know,” but he also confirmed his intent, saying “we’re trying to get it made and we’ll see.”
It’s nice to hear that he will shy away from the heavily religious aspects and make it more of a universal tale, just as he did in something like The Fountain. It also makes sense for the director as he is an atheist. He has previously called Noah “the first person to plant vineyards and drink wine and get drunk. It’s there in the Bible – it was one of the first things he did when he reached land. There was some real survivor’s guilt going on there. He’s a dark, complicated character.”
As for Bale joining he told the outlet, “no comment,” but with a grin. Screenwriter John Logan (The Aviator, The Last Samurai, Bond 23, Hugo Cabret) is rewriting the original script by Aronofsky, and so far New Regency is co-financing position with Paramount, Fox, CBS Films, and Summit are all interested in the remainder. For more information, check out our previous post which includes images and video from the graphic novel for the film, from Canadian artist Nico Henrichon (who illustrated Brian K. Vaughan‘s Pride Of Baghdad), as well as quotes from Aronofsky.
What do you think about playing down the religious aspects of the story? Are you excited to see Aronofsky’s epic scope?
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we’ve taken it upon ourselves to highlight the titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of streaming […]
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
Steven Knight‘s Locke, which, after a theatrical release this past spring, is now on VOD and Blu-ray as of this week, takes place entirely inside of Tom Hardy‘s BMW SUV cruising down the motor way in London. It’s a set-up the leaves much to the imagination. Ivan Locke is a concrete expert who is literally driving […]
Latest posts from Beats Per Minute