Should TOH be correct, that’s when us members of the general public (not necessarily you or I, specifically) will be able to see Cloud Atlas, the dangerously ambitious, time-and-location-and-people-and-logic spanning collaboration between the Wachowski siblings and Tom Tykwer. Although I think they really mean December 7th — i.e., unless Warner Bros. wants to open a movie on a Thursday — we’re more or less certain as to when the film can finally unspool in theaters.
But, since we already could have made a (generally) educated guess about Cloud Atlas‘ opening, I’m far more intrigued by something that, otherwise, would be of less interest: the running time. The adaptation of a roughly 530-page book needs time — particularly, one that goes all over time and space with a multitude of actors — but this thing is still going to leave a mark, having officially clocked in at two hours and 44 minutes.
None of us can determine if that’s a good fit, though I’d rather have the proper time to settle into David Mitchell‘s world and explore everything to its appropriate extent; even if there’s some fat, we might be covered. Now we just need to find out if Tykwer, the Wachowskis, and their collective cast — Tom Hanks, Hugh Grant, Hugo Weaving, Halle Berry, Susan Sarandon, Ben Whishaw, Jim Broadbent, Jim Sturgess, and Bae Doona among them — actually fulfilled that task.
Are you more confident about Cloud Atlas, knowing it’s got plenty of room to breathe?
As my review can attest to, I’m looking forward to not only watch John Wick again but also see how the film hits with general audiences when it arrives this weekend. The actioner stars Keanu Reeves as an ex-hitman who is crossed by the son of his old employer. When everything is taken from him, he decides to […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Composer Nathan Johnson is a master at making off-beat and imperfect instruments sound distant yet accessible on a number of vastly different narratives (see: Brick, The Brothers Bloom, Looper). His latest work is a pair of scores for films that were both released this month, Jake Paltrow‘s neo-western Young Ones and the journalistic thriller Kill the Messenger starring Jeremy Renner. Johnson has also been producing a couple albums and […]
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