A Black Swan trade-off might be in store for the Wachowskis‘ Jupiter Ascending. (That is, if we don’t count Cloud Atlas — co-directed by Tom Tykwer — as a truly “solo” project. I, personally, do not.) Although the year’s start brought news that Natalie Portman was eyeing it as one of her few post-newborn films, Deadline reports that Channing Tatum and her Swan co-star, Mila Kunis, are now being courted to lead the fall-bound production.
Here’s the thing: We all of us like Kunis a fair deal, but some — maybe I should make that “many” — will certainly cringe at the mention of Tatum. Fear not, I say; 2012′s brought two films (Haywire and 21 Jump Street) that allowed him to come out of his shell more and more, and this writer suspects Magic Mike will silence the naysayers wholesale. It’ll work. (Just you wait and see.) Would I have taken Portman over either of them? Beggars can’t be choosers.
Oh, and don’t even ask what Jupiter Ascending is about. We still haven’t got the slightest clue, and it should serve as some kind of sign when our most conclusive description would be “[the Wachowskis'] first major science fiction action franchise play since The Matrix.” I don’t want to know any more, either; just don’t let this be The Matrix Revolutions or Speed Racer, please.
What do you think of this duo taking the lead in Jupiter? Are you curious about what the picture could yield?
Since any New York City cinephile has an almost suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not [...]
One of the most highly anticipated films of the Cannes Film Festivals was unveiled this morning to a divisive response, Nicolas Winding Refn‘s Only God Forgives. As we said in our review, “set amidst an underground Muay Thai boxing club and glowing with hellish red lights from countless brothels, the mood and style is more [...]
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