Before he was Eduardo Saverin or Peter Parker, Andrew Garfield broke out in the excellent, small drama Boy A. Director John Crowley showed great potential and while his Michael Caine-starring follow-up Is Anybody There? didn’t quite have the same magic, he’s still receiving many opportunities to prove himself. As he’s currently shooting a thriller starring Eric Bana and Rebecca Hall, another one of his projects has been announced at Cannes.
Teaming two of Hollywood’s finest actresses, Crowley’s drama Carol will be led by Cate Blanchett and Mia Wasikowska. The adaptation of Patricia Highsmith’s (The Talented Mr. Ripley) novel by Phyllis Nagy follows two woman in the 1950s New York, on a department store worker in her twenties and another old woman in a bad marriage.
As Blanchett gears up for back-to-back Terrence Malick films and Wasikowska is coming off the stirring Jane Eyre and the other Lawless, premiering at Cannes, these already superb actresses have much to look forward to. I can’t imagine a better pair-up for this project and one can check out a synopsis below via Amazon.
Therese first glimpses Carol in the New York department store where she is working as a sales assistant. Carol is choosing a present for her daughter; she looks preoccupied, exuding an aura of elegance as perfect as a secret. Standing there at the counter, Therese suddenly feels wholly innocent – wholly unprepared for the first shock of love. Therese was nineteen, and loved by a young man she cared about, but could not desire. Carol was a sophisticated married woman. Now Therese seemed to have no other purpose to her life other than their meeting First published under a pseudonym in 1952, Carol is a love story told with compelling wit and eroticism, and consummate tenderness.
Production kicks off this February in New York and London.
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
Latest posts from Beats Per Minute