All things considered, a project that only lasts 5-10 minutes might be an ideal entry point into directing. Having thirteen other mini-projects surrounding you in the meantime? Well, if you need someone to pick up the slack…
So it’s fair to say that Cate Blanchett, Mia Wasikowska, and David Wenham (300) are in a good spot with The Turning, an omnibus adaptation of Tim Winton‘s short story collection. They’re — as you can probably tell — all getting behind the camera for this project, while Benedict Andrews, Jonathan auf der Heide, Tony Ayres, Shaun Gladwell, Rhys Graham, Justin Kurzel Ian Meadows, Yaron Lifschitz, Claire McCarthy, Ashlee Page, and Stephen Page have also been lined up. Each filmmaker will be handling one of fourteen stories in the book, all of which “explore[s] the extraordinary turning points in seemingly disparate but connected people’s lives.” [THR]
Sounds intriguing; the only concern held on my own part, as of right now, is that Turning gives in to the misery porn of something such as Crash. (Or, you know, half of the anthology films made in the past 20 years.) Oh, also: I really, really don’t want to see anything that resembles Crash. Avoid that much, and we might be off on the right foot.
Here’s a slightly extended synopsis, courtesy of Amazon:
“Set on a coastal stretch of Western Australia, Tim Winton’s stunning collection of connected stories is about turnings of all kinds — changes of heart, slow awakenings, nasty surprises and accidents, sudden detours, resolves made or broken. Brothers cease speaking to each other, husbands abandon wives and children, grown men are haunted by childhood fears. People struggle against the weight of their own history and try to reconcile themselves to their place in the world. With extraordinary insight and tenderness, Winton explores the demons and frailties of ordinary people whose lives are not what they had hoped.”
Have you read the original novel, and do you think a compelling film lies in it?
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
Latest posts from Beats Per Minute