You won’t be chastised for letting the Carrie remake slip your mind — the last news, which told of a directorial hire, was more than 2 1/2 months ago — but, whether you like it or not, the thing’s coming. And, if the following report from Vulture turns out to be true, big and breakthrough news lies right on our horizon.
So, at this very moment, it seems as though the task of playing Carrie White has been narrowed down to Chloë Moretz and Haley Bennett — the latter of whom will have a major role in Terrence Malick‘s untitled Christian Bale-starrer. (Strangely enough, there’s a nine-year age difference between the two. Maybe that could serve as a boost for Moretz?) Emily Browning, Bella Heathcote (In Time, Killing Them Softly), Lily Collins, and Dakota Fanning are reported to have all done readings with director Kimberly Peirce — after Shailene Woodley denied an out-and-out offer — though it’s indicated that Moretz and Bennett are actually the final picks.
But that’s not all! When it comes to the “showy” role (Carrie’s nutty religious mother), the production has set its sights on Julianne Moore and Jodie Foster. Just as those young girls have a big act to follow when you’re coming off Sissy Spacek, following in the footsteps of Piper Laurie‘s performance is, well, not a position I’d want myself in.
Should it be any consolation to these talents, the Peirce-directed rendition of Stephen King‘s debut novel — written by Roberto Aguirre-Sacasa — will bear more of a resemblance to the source material than Brian De Palma‘s ’76 classic; having read the book myself, I’d say the comparisons could be moot, in that respect. Could.
Then again, though, bearing the brunt of comparison to his movie is also a task you couldn’t pay me to undertake. Everyone here’s got a real hill to climb, is another way of putting it.
Do you have any favorites in this race? Is the Carrie remake even remotely interesting to yourself?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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