My genuine dislike for Brave — specifically: its dull and poorly-structured plot, lack of imagination, as well as an overriding sense of “coasting” — might not be an issue here. You can thank the gossip for that one; some behind-the-scenes stories on that film, if true, show that Brenda Chapman shouldn’t bear much of the blame in putting a cold mess into theaters and, for yours truly, further sullying the Pixar name. She directed The Prince of Egypt, after all.
Thus, it’s with some confidence I read a report from PixarReport (via /Film), which tell us Chapman has recently left the Mouse House for Lucasfilm, whereat it’s expected she’ll be performing duties as “a consultant” in their animation department. It’s quite the enticing descriptor to be throwing around, particularly when you ladle on some extra mystery; /Film noticed, on Lucasfilm’s website, that their animation team are, in addition to their Star Wars work, “also focusing efforts on feature film animation and other new intellectual properties.” Needless to say, that’s probably what she’ll be focusing on.
I doubt Chapman‘s developing something directly for their two biggest franchises — but even that’s just one outsider’s shot in the dark. Whatever the project is, whatever stems from her hiring, and no matter how long it takes, the process of following this one along should be interesting.
How do you feel about Chapman going to Lucasfilm?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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