Forget an autobiography, there may need to be a behind-the-scenes account of the not one, not two, but three competing Lance Armstrong biopic films. As a brief catch-up, we heard back in January that J.J. Abrams and his Bad Robot were planning a feature film surrounding the cyclist and they even met with Bradley Cooper to discuss potential involvement. Then, shortly after that, Warner Bros, Atlas Entertainment and director Jay Roach teamed for their own take on the story. To make matters even more competitive, we heard this summer that director Stephen Frears and star Ben Foster may get the jump on both of them with their own take of the story over at Working Title, aiming to shoot this fall.
Now Deadline reports there has been a bit of a switch. Even though Cooper met with Abrams, he’s decided to jump aboard as producer and potential star in the Jay Roach and WB project, but perhaps not in the role you may expect. According to the trade, he’s not only looking at the Armstrong role, but also that of Tyler Hamilton, his teammate cyclist who went on 60 Minutes to discuss allegations. With Cooper tied up in Cameron Crowe‘s next project, a Broadway production of The Elephant Man and perhaps American Sniper if he finds a new director, there’s no telling if WB’s wish to fast track this film will come true. As we get news on the project, stay tuned and see a portion of Hamilton’s aforementioned 60 Minutes segment below.
Which role would you like to see Cooper take?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
Latest posts from Beats Per Minute