Be it the awful title, the almost now-generic concept, or my general distaste for Doug Liman‘s work, it’s been a bit hard to get on board with All You Need is Kill. What the film lacks in those (nevertheless crucial) departments, however, it’s almost compensating for in a cast which has two enjoyable leads — i.e., Tom Cruise and Emily Blunt — to go along with the promising inclusion of an unknown, Charlotte Riley. We’re on shaky ground, but that’s better than having no ground at all.
Add one more point to its favor when Variety tells us Kill has put Bill Paxton directly in its sights. The man whose status as the icon of James Cameron‘s filmography can only be superseded by a hulking Australian — if you ask me, a strong credential — will be taking a part which fits him almost painfully well: platoon leader.
Liman‘s film, after all, is an adaptation of the Hiroshi Sakurazaka manga — subsequently adapted for American cinema by screenwriters Dante Harper and Jody Harold — wherein a soldier (Cruise) finds themselves constantly regenerating after dying in battle against aliens, a process which allows him to grow into a better fighter. So, here we have Paxton to bring some of his classic routine to what, ostensibly, is a new kind of war film — and I like the proposition. While All You Need Is Kill still has a couple of steps to take before I’m actually “positive,” we might almost be on our way.
Does Paxton lend any credit to Kill?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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