With the year winding down, sitting atop my top films of 2012 thus far is the latest drama from Michael Haneke, Amour. Dealing with an elderly couple’s struggle, the impeccable film is the director’s most emotionally resonant story yet and one that I’d highly recommend to anyone (well, perhaps not the tween-and-under crowd). While we still have around a month to go until the release of the Palme d’Or-winner, Sony Pictures Classics have delivered a batch of new stills for the film featuring Jean-Louis Trintignant, Emmanuelle Riva, Isabelle Huppert as well as our director. Check them out below and make sure to read our review from Cannes.
Georges and Anne are in their eighties. They are cultivated, retired music teachers. their daughter, who is also a musician, lives abroad with her family. One day, Anne has an attack. The couple’s bond of love is severely tested.
Amour opens on December 19th.
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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