Although its announcement felt, in a number of ways, more tentative than momentous, it would now appear that the signing of Tom Cruise is pushing Guy Ritchie‘s The Man from U.N.C.L.E. into production at a natural clip. (Don’t ask if that’s actually a good thing.) Now signed is Armie Hammer, the Social Network star who, in making this move, must be looking to find another franchise to go alongside this summer’s upcoming Lone Ranger, albeit yet another in which he’s asked to take the supporting role. How strangely appropriate that it, too, sees him play a title character.
Said character is Illya Kuryakin, colleague to Cruise‘s Napoleon Solo in the United Network Command for Law Enforcement, with whom he carries out various spy adventures that help keep the world a safer place. Hammer should help elevate what exists on the page into a decent spy pairing, right? It’s on that note, however, that things become a little more curious: word of a screenwriter is unavailable, leading to the all-important question of whether or not they’ll elect to retain the work of Scott Z. Burns, whose input was, originally, meant for his frequent creative partner, Steven Soderbergh. Even with a rather different filmmaker such as Ritchie taking reigns, the writer’s detached style could make for a strong play on the spy genre; his provided synopsis sounds more unique and, generally speaking, fun than what a typical WB franchise movie would leave us to anticipate.
Now that two leads are locked in with a commercially viable director, the rest ought to start falling into place soon.
What are your thoughts on Hammer taking up U.N.C.L.E. with Cruise?
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Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Composer Nathan Johnson is a master at making off-beat and imperfect instruments sound distant yet accessible on a number of vastly different narratives (see: Brick, The Brothers Bloom, Looper). His latest work is a pair of scores for films that were both released this month, Jake Paltrow‘s neo-western Young Ones and the journalistic thriller Kill the Messenger starring Jeremy Renner. Johnson has also been producing a couple albums and […]
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