No, we’re not about to source The Onion. A little rumor is flying around, one which purports that (somehow, someway) Angelina Jolie could direct Universal and Focus’ adaptation of smut bestseller Fifty Shades of Grey. Maybe this says it all: Deadline‘s more-ambiguous-than-the-ending-of-A-Serious-Man report alleges they’ve “heard rumors about the possibility of Angelina Jolie having a conversation or two about directing it.” Heard rumors. About the possibility. Of a conversation.
Some recent “buzz” — and a note that the right people want her involved — notwithstanding, those with a keenness to see these two parties converge best keep their hopes in check. (Not just because Jolie‘s busy with Maleficent and has another directorial possibility lined up.) I suppose part of me — let’s not consult him on most matters — is semi-curious to see what this could bring about, which, in itself, stems from some good things I’ve heard about last year’s In the Land of Blood and Honey. Well-shot garbage is still garbage, but it should be more bearable to sit through.
Those who’ve been lucky enough to tune out the talk might still want to know how E.L. James‘ book shakes out. In that case: A young woman, Anastasia Steele, enters into a lustful, bondage-filled relationship with a late-20s businessman, Christian Grey, who carries (and acts out on) some personal scars of his own. This warrants an entire trilogy of books, and the two companies would sure like to, excuse the phrase, take these exploits all the way; considering the massive sales numbers on all three, the world’s most famous woman might not even be needed.
Is there any possibility that Jolie would adapt this material? Would you want her to?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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