Rise of the Planet of the Apes‘ big box office haul makes the announcement of a sequel completely unsurprising, but that doesn’t mean I’m not very happy to hear about it. As Deadline reports, Fox has signed Andy Serkis for a follow-up to this summer’s reboot, while director Rupert Wyatt and screenwriters Rick Jaffa & Amanda Silver are contracted to return. The motion-capture superstar’s agents are actually trying to get him set up for “multiple future installments,” though the success of a second film will depend on that actually going somewhere.
James Franco and Freida Pinto, a.k.a. the ostensible leads of Rise, have yet to be signed; a decision should come later, and the first film’s ending could make it easy for them to stick around or be thrown out of the picture with a quick line. All the same, it says both good and bad things about Rise when it wouldn’t be such a terrible idea to simply get rid of them. Their characters — and, to be honest, performances — were the weakest aspects of the original movie. How many of you even remember that his name is Will?
Some plans have already been proposed by the director and screenwriters, but Fox is reportedly “still in the idea stage.” Things worked out for them the first time around, so I think it would be wise to give creative control to the people actually making it — plus, the studio has probably learned their lesson enough times about seizing control of a property.
To take things back toward the original movie — it’s been revealed that Fox will be working on an Oscar campaign for Serkis‘ much-praised work, a move that’s been promoted by some critics since the film came out in August. And it’s deserved; he gave a nuanced, engaging performance, so getting him some attention is worth the effort. There is something of an issue, however, with the Academy: they might not be wholly enthusiastic about giving a nomination to someone who worked with motion-capture. Mostly because they’re stupid and have shown year-in, year-out that they don’t understand what real acting can constitute, but it could still be an obstacle for the marketing team. I’m really hoping they can pull it off.
Would you be excited about a Rise of the Planet of the Apes sequel? Does Serkis deserve a nomination?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
Latest posts from Beats Per Minute