Let’s take this news as a sign things went okay on To Rome with Love and Rock of Ages; first up, Deadline says Alec Baldwin will reteam with the former’s director, Woody Allen, on his new film, which has been eyeing Bradley Cooper, Cate Blanchett, and Sally Hawkins for lead roles. Set in San Francisco — and, for a brief period, New York — the untitled comedy follows “a neurotic (Hawkins) who’s more fun and rough around the edges, [and] a sophisticated woman (Blanchett) who has her life together.” His role is currently unspecified, but I think we’re, nevertheless, more than pleased to hear of the addition — so far, this one’s coming together rather nicely.
The second project has far more information surrounding it, for better or for worse. (Actually, the first point of discussion was a new Woody Allen movie, so… worse.) Anyway, Baldwin and Brand will, once again, pair up for Man That Rocks the Cradle, New Line’s comedy about a busy father who hires a “true kid whisperer” to look after his children — but it’s a man! Something about that twist is supposed to be funny.
Not that this resulting project will necessarily fail, though. Josh Cagan‘s spec script is getting a rework that should, by Deadline’s account, suit the two stars a little better, while a director is also being eyed; don’t expect Andrew Dominik to jump on board. And, hey, I like the both of them well enough — even Brand, who’s got some weird specter of hatred hanging over him at every moment — so a silly, albeit funny, comedy with their names attached can’t be a total slog. Probably won’t be, at least.
Are you interested in either film?
Since any New York City cinephile has a nearly suffocating wealth of theatrical options, we figured it’d be best to compile some of the more worthwhile repertory showings into one handy list. Displayed below are a few of the city’s most reliable theaters and links to screenings of their weekend offerings — films you’re not […]
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
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