The arguably too-soon Steve Jobs biopic got a big credibility boost last month, when it was revealed that Aaron Sorkin was being pursued to scribe the genius’ life story. This might seem like the perfect pairing of subject and author — because it is — but the latter’s past association with the former was cited as a possible obstacle for this to actually come together.
But it looks as if that might have been a false concern — Sorkin bluntly told E! (via CinemaBlend) that “Sony has asked me to write the movie and it’s something I’m strongly considering.” (For a guy who writes witty and layered dialogue, he doesn’t beat around the bush.) Reading Walter Isaacson‘s book — upon which this will be based — at the moment has him “just in the thinking-about-it stages.” No matter what, if he’s to be believed, it’ll end up being “a really big movie and it’s going to be a great movie no matter who writes it.” Of course, I’m hoping that he’s right — but I’m particularly hopeful that he’s the one who makes it so.
We know that Sorkin is currently working on a new HBO series, sure, but is he actually doing anything else that will occupy his schedule for the next year or so? Should he have the free time — and if he thinks he can craft something “great” with the material — that whole friendship thing might be the only reason, and a minor one, to not do it. Otherwise, no excuses.
Do you think Sorkin will write the Jobs film? Would you want him to?
In the case of evaluating David Cronenberg, — or at least forming the sort of career narrative seemingly essential to auteurist analysis — it’s inevitable to propose something of a rupture within his oeuvre: the very evident graduation from grindhouse to arthouse, and, with it, an ascension from body to mind. What dictated these labels […]
Every week we dive into the cream of the crop when it comes to home releases, including Blu-ray and DVDs, as well as recommended deals of the week. If we were provided screener copies, we’ll have our own write-up, but if that’s not the case, one can find official descriptions from the distributors. Check out […]
Writing about the films of Robert Bresson usually begins by informing reader that his films must be discussed through a trance of hushed tones and quiet veneration. There is no room for rushed judgement or quick-witted observations; Bresson makes Serious Art, as opposed to Hollywood directors who do not. There are the key phrases to […]
With a seemingly endless amount of streaming options — not only the titles at our disposal, but services themselves — we believe it’s our duty to highlight the recent, recommended titles that have recently hit the interwebs. Every week, one will be able to see the cream of the crop (or perhaps some simply interesting picks) of […]
Latest posts from Beats Per Minute